Andrew Hicks [Music / Medieval Studies] is one of 21 scholars to have been awarded the Berlin Prize for 2017-2018 by The American Academy in Berlin. He will be in residence at the Hans Arnhold Center in Belin-Wannsee in Spring 2018, working toward the completion of his next monograph, tentatively titled The Broken Harp: Musical Metaphor in Classical Persian Literature.
Read the American Academy’s press release here.
On April 13 (Wednesday) at 4:30PM, Prof. MICHEL ZINK will deliver a lecture at the A.D. White House (Guerlac Room) titled, “Women’s Songs/Men’s Songs in Medieval Europe”
Michel Zink holds the chair in “Littératures de la France médiévale” at the Collège de France, which goes back to the illustrious tradition of the chair of “Langue et littérature françaises du Moyen Âge” founded in 1853 for Paulin Paris. Before 1994 he was a professor of medieval French literature at the Sorbonne (1968-70, 1972-76, and 1987-94), at the University of Tunis (1970-72), and at the University of Toulouse (1976-87). He has also been a Visiting Professor at the University of Constance, the Johns Hopkins University, Berkeley, and Yale. In 2007 he received the International Balzan Prize “for his fundamental contributions to the understanding of French and Occitan literature in the Middle Ages, a decisive chapter in the development of modern European literature; for his new interpretation of the relation between medieval and modern literature; and for his seminal initiatives that have brought the literature of the Middle Ages back into the cultural tradition of France and Europe.”
More about him:
This event is co-organized by the French Studies Program co-sponsored by and the Medieval Studies Program, the Department of Romance Studies, and the Society for the Humanities.
Andrew Hicks [Music] will discuss Beatius/Cum humanum at noon next Wednesday, February 10, in Uris G88.
Beatius/Cum humanum is an imperfect motet, and it performs its imperfections in myriad ways. On the most basic material level it survives imperfectly, lacking its tenor (or more) in all three surviving sources. These sources, moreover, are philologically imperfect, witnessing substantial but not insoluble textual corruptions in several key verses. Such (accidental) material and philological imperfections, however, almost ruefully befit a motet that intentionally centers upon the fraught relationship between the apparent perfection of rule-bound discipline and the realities of musical and theological imperfection.
Refreshments will be served. All are welcome!
The arrival at Cornell of three medieval cosmology scholars in the last three years has created a rare density of expertise in the topic, and they have launched a collaboration to take a closer, interdisciplinary look at complex cosmologies and the medieval reception of ancient science. Read more here.
Professor of music Judith Peraino has been invited to the Rock and Roll Hall of Fame April 20 to talk about her course, The History of Rock Music, as part of the Experience Music Project Pop Conference.
Peraino’s course “examines the development and cultural significance of rock music from its origins in blues, gospel and Tin Pan Alley up to alternative rock and hip hop. The course concludes with the year 2000.”
Read more here.